Marion Webb-De Sisto - Myth and Masks
Hello everyone! Today we have
the fascinating Marion Webb-DeSisto, who is generously giving away a copy of
her story Taken to one lucky commentor!
Give her a big welcome!
Marion: So… Er, Marion, tell us a bit about yourself!
Well here we are, two
Marions chatting back and forth. I’m very grateful to be given this opportunity
for spreading the word about myself and my books.
I was born and grew up in England, but spent many years working and raising
my family in the USA. After taking early retirement in 1999, I was finally able
to find time to write and began pursuing a life-long dream. At the present
time, I live in the Greater London Area of England with my American husband.
I believe my writing career was inspired by my passion for reading from a
very early age, and I describe myself as a people watcher. In particular, I’m
fascinated by males who appear to be somewhat dark and threatening, but have a
core of goodness within them. I use my many years of working and communicating
with people as a blueprint for 'fleshing out' my fictional characters.
My Fantasy novels are filled
with demons, angels, shifters and mythical creatures. Some are erotic. My
non-fiction books offer information on metaphysical subjects. Last year, I was
invited to write a short Horror story for an anthology that was released at the
beginning of this month. Horror is a new genre for me, but I’ve always been
interested in it.
Marion: What was the first book you ever read that really blew your
mind, that you couldn’t stop thinking about after you’d finished?
In my early teens I read The
Scarlet Pimpernel by Baroness Orczy and was thoroughly intrigued by someone
who could present himself to the world as being completely opposite to his
actual true character. I re-read the book several times.
Marion: How do you start thinking about a book? Is it the characters
that first pop to mind, or the setting, or the plot? Where do you usually
start?
When I write Fiction, the
hero of the story always seems to ‘appear’ in my mind first, followed soon
after by the heroine, and then comes the plot. Chapter by chapter is revealed,
almost as though, while writing, the two main characters are telling me their
story. As I begin each new chapter I have no real idea what will happen within
it. I guess you could say I feel much more like the ghost writer of the tale
rather than the author creating the hero’s and heroine’s story.
When I write Non-Fiction,
the process is quite different. I take time before I begin writing to set out a
detailed plan/draft of what each chapter will contain, as well as an overall
view of how the information will progress.
Marion: If you could invite five writers, living or dead, to dinner,
who would they be?
Shakespeare, Stephen King,
Dennis Wheatley, Jane Austen and Emily Brontë.
Marion: Have you ever tried to shake up your writing routine? Writing
at a different time? Writing in new places? Writing nude? *waggles eyebrows*
I usually write in the mornings
and early afternoons, the brain seems to be more in gear then. However, on a
few occasions, I have written very late at night and was surprised how easily
the words flowed. Last year, I spent some time in hospital and decided to begin
a new story while there. Again, to my surprise, I was well-able to achieve my
goal. As yet, I haven’t tried writing nude. :-)
Marion: What one scene do you think you spent the most time editing?
What was it about it that you couldn’t seem to get right?
In my book – Taken –
it’s the scene where Dreydon tells Esther about Cymllon, what a mejin is, also
what would have happened if he hadn’t rescued her. I didn’t feel I was getting
it wrong, but I needed to present these important details to the reader in a
manner that revealed more of Dreydon’s character, was interesting and didn’t
appear to be little more than a check list of information.
Marion: How do you ‘get into character’? Are their certain characters
you find it harder to write than others?
I have more of a problem
with heroines than heroes. I try very hard not to have a heroine react to a
situation in the same way I would respond. That may sound odd, considering I’m
a female, but I don’t want her to be merely a reflection of me dealing with
trauma, fear, happiness, etc. In contrast, when ‘fleshing out’ other
characters, I try to draw on my observations of people’s reactions to various
circumstances. Once in a while, however, a character will behave unexpectedly,
reinforcing my thoughts about merely being the ghost writer.
Marion: If you could choose one writing related question you never, ever
wanted to hear spoken again, what would it be?
Whenever some people see me
sitting and working on my laptop I’m asked, “Are you writing a story?” I might
be answering an email, filling out a form, or blogging, but they always presume
I’m working on my next book.
Marion: What’s your favorite book title?
May I have two? The
Shining and The Stand. I love the way Stephen King can bring many
different characters into a story and ‘head hop’ without confusing the reader.
Marion: What project are you currently working on?
It’s another story set in
the world of Cymllon – a magical place where demons, angels, lycans, demgels
{half demon, half angel}, other mythical creatures and some humans live. A fire
daemon, Garr, is placed in the protector role of Beccah, a human woman, who is
at risk of being abducted by a demgel who wants to make her his sex slave. A
relationship develops between Garr and Beccah, even though they are so
different and it would be frowned upon.
Marion: About how long does it take you to get from first draft to
polished manuscript? What does that process look like?
As already explained, I
don’t write a draft for Fiction. I feel as though I’m the ghost writer, putting
down what happens as the characters ‘tell’ me their story. Depending on whether
I’m writing a novella or novel, it usually takes about five to nine months.
Marion: What did your “favorite” rejection letter say?
“Don’t tell the story.” Hmm,
does that mean “Don’t write.”?
Marion: Is there a writer whose style or talent you envy? What is it
about their writing that draws you in?
I’ve always admired
Shakespeare’s works, but don’t think I’m envious of him. He knew how to draw in
the audience by way of his words and dramatic situations so that they would
feel almost a part of each play. In my opinion, that is a tremendous literary
gift.
Marion: Any parting words?
Many thanks, Marion, for
allowing me to tell others about this Marion. Of course, my ego thoroughly
enjoys that. :-) Also, just wanted to take a moment to thank you for the lovely
cover you designed for my book – Taken – for which I’ve had compliments.
You highlighted the waterfall that is the background for a significant scene
within the story; a naughty-but-nice major occurrence.
Marion: It’s been a pleasure to have
you! And I’m thrilled that you like your
cover! I had a lot of fun working on it! Readers,
you can find Taken at MuseItUp and Amazon, and remember to comment and maybe
win a free copy!
Comments
Mary C.