Calvin Dean - Soldiers and Ghosts

Marion:
What was the first book you ever read that really blew your mind, that you
couldnāt stop thinking about after youād finished?
Ghost Soldiers by Hampton Side, the
true story of US POWās being held in the Philippines during WWII, really got
under my skin. The treatment and the
condition of the prisoners was gut wrenching. Their heroic rescue made me proud that there
are people willing to risk everything for their fellow man.
Marion:
How do you start thinking about a book?
Is it the characters that first pop to mind, or the setting, or the
plot? Where do you usually start?
When I start a new book, I know the
beginning and the end. The characters grow
as I write, which means Iām constantly going back and updating chapters to
match their ever changing personalities.
Perhaps Iāll change my style as my writing matures, but right now itās
working, so if it aināt broke donāt fix it.
Marion:
If you could invite five writers, living or dead, to dinner, who would they be?
Iād love to invite Shakespeare, Charles
Dickens, William Faulkner, Alexander Dumas, and Edgar Allan Poe to dinner. Iād like to bring them into the present, have
them look back on each otherās work and maybe have Faulkner discuss what heād
do with Hamlet, or what Poe would do with the Ghost of Christmas Yet To Come,
or what Shakespeare would do with Flem Snopes.
An interesting evening indeed.
Marion:
When was the last time you just had
to write, and what inspired that feeling?
The had to write experience comes and goes. I never force myself to write, but when an
idea pops into my head, something that connects disjointed story elements, I
canāt boot up the computer fast enough. This
happened with my current work in progress.
Struggling with a change of direction, an idea came to me when I least
expected it. Of course, it always
happens when youāre away from your computer or even a note pad.
Marion:
When youāre writing, what game do you most often play during ābreaksā?
I donāt play games. My breaks consist of checking email, facebook
or other forums I attend ā forums that have nothing to do with writing. Thatās how I wind down or kill time.
Marion:
Have you ever tried to shake up your writing routine? Writing at a different time? Writing in new
places? Writing nude? *waggles eyebrows*
During spring break my family and I
went to the beach. I thought Iād take
advantage of writing with the ocean just outside my door. Didnāt work.
Too many distractions. Plus I had
to use a laptop. I donāt particularly
like laptops. Much prefer my desktop
with dual monitors. My outline and
character descriptions are on one monitor.
My Word Doc is on the other.
Marion:
What is your absolute favorite sentence--just one sentence--from your book?
Why?
āThe Townsendās always stick
together.ā Itās the first and last line
of The Epitaph of Jonas Barloff. It sets
the tone for the novel and then places an exclamation point on a chilling
finish. I incorporate this line when
signing autographs.
Marion:
What one scene do you think you spent the most time editing? What
was it about it that you couldnāt seem to get right?
I spent hours and hours and hours
writing, editing and rewriting the
prologue to The Epitaph of Jonas Barloff.
At last, I had something I felt good about ā a scene that set the tone
for the entire book. My beta reader and
others I confided in didnāt like it. In
the end, I rewrote the prologue and moved it to the last chapter of the
book. Glad I did. It gave the book the chilling conclusion it
needed.
Marion:
Whatās your worst writing habit?
Something you know you shouldnāt do, but just canāt seem to stop?
I tend to overuse commas. I like commas because they let you take a
breath. They direct the reader to pause
where I want them to pause, to read the sentence the way I intended. Sometimes I find myself inserting commas
where they donāt belong and I have to go back and eliminate them. Sorry, comma.
Youāve got to go.
Marion:
Whatās the one thing you wish you
were good at, but just canāt seem to master?
Paragraph flow. Breaking down paragraphs. Starting new paragraphs. Sometimes thereās a fine line on when to
start a new paragraph. Iām trying to become
more consistent on how I manage these evil blocks of text.
Marion:
How do you āget into characterā? Are
their certain characters you find it harder to write than others?
Developing characters doesnāt come
naturally for me. I have to work on it
because I let my characters evolve over the course of the novel, which forces
me to backtrack and edit chapters for consistency. Right now, Iām creating a character from
eastern Europe. Iām trying to learn his
language, his nuances, his annoying habits.
Iām sure he will receive a healthy dose of editing as the story
develops.
Marion:
There are a lot of concepts about what writers are like, whatās the one you
hate the most? Like the most?
Faulkner had a reputation for over
indulgence in spirits. Without a doubt,
he earned that reputation, but I hate that it defines him. On the other hand, Faulkner was very
dedicated to his work and didnāt let silly things like The Nobel Prize for
Literature get in his way.
Marion:
Whatās your favorite book title?
Oh, thatās easy. Alexander and the Terrible, Horrible, Very
Bad, No Good Day. What could possibly be
better than that?
Marion:
LOL! Yes, thatās definitely one that
sticks with you! What project are you
currently working on?
Iām working on my second novel, the
title of which keeps changing. Itās
about a released prisoner, a land deal gone bad, political intrigue and
supernatural gamesmanship. Of course, I
let my stories evolve as I write them. A
new character trait can change everything, so who knows where this will end.
Marion:
About how long does it take you to get from first draft to polished
manuscript? What does that process look
like?
My first novel, The Epitaph of Jonas
Barloff, took five years to go from first draft to finished. Iām purposely avoiding the term āpolishedā
because Iām sure my book can stand a little more shine. The process had no rhyme or reason. I worked on it when I wanted to and set it
aside, sometimes for months at a time.
Then, Iād blow the dust off and start again. Eventually, a small press gave it the light
of day.
Marion:
Whatās your best book-related memory?
Your worst?
I remember the elated feeling I had
when I finally finished A Tale of Two Cities.
Itās my favorite book and I love the story ā especially the beginning
and the end. My worst? A Tale of Two Cities. It took me three tries to get through this
book. Like Faulkner, Dickens can be a
difficult read, for me anyway. Once you
get the feel for his style of writing, the sentences flow like a river to the
sea.
Marion:
What did your āfavoriteā rejection letter say?
I received a hand written note on a form
rejection letter that said āsome nice
things here, butā¦ā I still have that
rejection.
Marion:
Name a book that, if you find out someone likes it, you know you will get along
with that person.
That book would probably be Ghost
Soldiers by Hampton Sides. Anyone who
appreciates people who put it all on the line for others is alright by me.
Marion:
Is there a writer whose style or talent you envy? What is it about their writing that draws you
in?
I like Robert McCammonās style. His writing is not too elaborate or
sophisticated, just good, solid sentence structure that tell the story without
unnecessary sidetracks that prolong rather than progress the story. Yet his writing is not simplistic. He just tells a good story without too much
fluff.
Marion:
Any parting words?
Iād just like to thank everyone who
has read The Epitaph of Jonas Barloff and given it a thumbs up. Please feel free to connect with me on
Twitter: @jcalvindean.
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